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home·artworks·The Souvenir
The Souvenir by Jean-Honore Fragonard

plate no. 4927

The Souvenir

Jean-Honore Fragonard, 1778

oil, canvasRococogenre paintingfiguredogtreelandscapedressfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering soft light and shadow, as well as capturing the texture of fabrics and foliage using blended brushstrokes. It also provides practice in depicting figures in a natural setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, dog, and main elements of the landscape.

  2. step 02

    Establish the main light source and block in the large areas of light and shadow using thin washes of color.

  3. step 03

    Develop the background foliage and trees, using a variety of brushstrokes to create texture and depth.

  4. step 04

    Begin refining the figure, paying attention to the folds and drapery of the dress. Use subtle color variations to create form.

  5. step 05

    Paint the dog, focusing on capturing its pose and expression. Use highlights to create a sense of volume.

  6. step 06

    Refine the details of the landscape, adding small touches of color and texture to create visual interest.

  7. step 07

    Add the final highlights and shadows to the figure and dog, paying attention to the way the light interacts with the forms.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and create a sense of atmosphere.

color palette

primary · rose madder · ivory black · yellow ochre · titanium white

secondary · ultramarine blue · raw umber · cadmium yellow light

Achieve the soft, muted tones by mixing primary colors with white and small amounts of black or umber. Use glazes of rose madder and yellow ochre to create the warm tones of the dress.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong light source.
  • →Neglecting the importance of soft edges and blended brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (rose madder, ivory black, yellow ochre, titanium white, ultramarine blue, raw umber)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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