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home·artworks·The Soul of the Soulless City ('New York An Abstraction')
The Soul of the Soulless City ('New York   An Abstraction') by C. R. W. Nevinson

plate no. 0919

The Soul of the Soulless City ('New York An Abstraction')

C. R. W. Nevinson, 1920

oilCubismcityscapecityscapebuildingsrailroad tracksurbanarchitectureperspective
some experience helpful

Recreating this painting will help students understand and practice linear perspective, as well as how to create a sense of depth and atmosphere using color and value. Students will also learn how to simplify complex forms into geometric shapes, a key element of Cubism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective lines of the railroad tracks and the overall structure of the buildings.

  2. step 02

    Block in the major shapes of the buildings using simplified geometric forms.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the buildings and tracks.

  4. step 04

    Mix the primary colors for the buildings, focusing on warm browns and yellows, and apply them in broad strokes.

  5. step 05

    Add details to the buildings, such as windows and architectural features, using a smaller brush.

  6. step 06

    Refine the railroad tracks, paying attention to the perspective and the way the light reflects off the rails.

  7. step 07

    Add atmospheric effects, such as the hazy sky and the suggestion of steam or smoke, using soft blending techniques.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and dynamic composition.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue

Mix raw umber and yellow ochre to create the base color for the buildings. Add titanium white to lighten the color and ultramarine blue to create cooler shadows. Burnt sienna can be used to add warmth to certain areas.

techniques

  • ·linear perspective
  • ·geometric simplification
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Incorrect perspective leading to a distorted image
  • →Overcomplicating the shapes of the buildings
  • →Failing to create a sense of depth and atmosphere
  • →Using colors that are too saturated or unrealistic

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →how to learn by studying the masters →
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