
plate no. 6252
Jean-Honore Fragonard, 1763
This painting provides an opportunity to practice atmospheric perspective and rendering figures in shadow. Students can develop skills in glazing and layering to create depth and luminosity.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the major shapes and figures.
Establish the dark underpainting using a mix of burnt umber and ultramarine blue.
Block in the sky and background with light, muted tones.
Begin layering in the darker areas of the trees and foliage, gradually adding highlights.
Define the figures in the foreground, paying attention to their forms and the light hitting them.
Add details to the architectural elements, such as the stairs and statues.
Glaze over the painting to unify the colors and create a sense of atmosphere.
Add final highlights and details to bring the painting to life.
color palette
primary · burnt umber · ultramarine blue · titanium white
secondary · yellow ochre · raw sienna · ivory black
Achieve the dark, rich tones by mixing burnt umber and ultramarine blue. Use white to create highlights and lighter areas. Mix yellow ochre and raw sienna for foliage highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paints for glazing.
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