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home·artworks·The Slick Ear
The Slick Ear by Charles M. Russell

plate no. 6971

The Slick Ear

Charles M. Russell, 1914

oilRomanticismgenre paintingcowboyscattlehorseslandscapemountainssky
some experience helpful

Recreating this painting will help students develop skills in depicting movement and creating atmospheric perspective. It also provides practice in rendering complex forms like animals and figures in a dynamic composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements like the cowboys, cattle, and landscape features.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the overall light and shadow patterns.

  3. step 03

    Develop the sky and distant mountains, paying attention to atmospheric perspective by using lighter and cooler colors for distant objects.

  4. step 04

    Start building up the forms of the cowboys and horses, gradually adding details and refining their shapes.

  5. step 05

    Focus on the cattle, using a variety of browns, whites, and reds to create visual interest and depth.

  6. step 06

    Add details to the foreground, including rocks, vegetation, and other elements that help to ground the composition.

  7. step 07

    Refine the overall painting, paying attention to edges, values, and color harmony.

  8. step 08

    Add final highlights and details to create a sense of realism and depth.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium yellow · alizarin crimson · ivory black

Achieve the dusty, muted tones by mixing earth tones with white and small amounts of blue or crimson. Use glazes of thinned color to build up depth and create subtle variations in tone.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →overworking details too early
  • →creating muddy colors
  • →flattening the forms
  • →ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·oil paints

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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