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home·artworks·The Silver Goblet
The Silver Goblet by Jean-Baptiste-Simeon Chardin

plate no. 1198

The Silver Goblet

Jean-Baptiste-Simeon Chardin, 1728

oil, canvasRococostill lifestill lifegobletbottlefruitcherriestable
some experience helpful

Recreating this painting will help students develop skills in depicting reflective surfaces and creating subtle tonal variations to represent form. It also provides practice in arranging a simple still life composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Establish the background tones with thin washes of brown and grey.

  3. step 03

    Block in the main colors of the goblet, bottle, and fruit, focusing on their overall shapes.

  4. step 04

    Begin to refine the shapes and add details, paying attention to highlights and shadows.

  5. step 05

    Mix and apply subtle color variations to create the illusion of form and depth.

  6. step 06

    Carefully render the reflective surfaces of the goblet and bottle, noting the light sources.

  7. step 07

    Add the final details, such as the stems of the cherries and the texture of the fruit.

  8. step 08

    Adjust the overall values and colors to create a harmonious composition.

color palette

primary · raw umber · ivory black · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix various shades of brown and grey by combining raw umber, ivory black, and titanium white. Use small amounts of cadmium red and yellow ochre to create the colors of the fruit. Add ultramarine blue to the grey mixtures to create the cool tones in the goblet.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle reflections and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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