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home·artworks·The Silver Beaker
The Silver Beaker by Jean-Baptiste-Simeon Chardin

plate no. 7287

The Silver Beaker

Jean-Baptiste-Simeon Chardin, 1750

oil, canvasRococostill lifestill lifeapplesbeakerbowlspoontable
some experience helpful

Recreating this painting will help students develop skills in depicting reflective surfaces and creating subtle gradations of color to suggest form. It also emphasizes the importance of accurate observation and careful layering of paint.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Establish the background color with a thin wash of muted browns and grays.

  3. step 03

    Block in the main colors of each object, focusing on the overall value and temperature.

  4. step 04

    Begin layering and blending colors to create the form and volume of the apples, bowl, and beaker.

  5. step 05

    Pay close attention to the highlights and shadows on the silver beaker to capture its reflective quality.

  6. step 06

    Refine the details of the objects, such as the edges and textures.

  7. step 07

    Add subtle color variations and highlights to the apples to make them appear more realistic.

  8. step 08

    Make final adjustments to the overall composition and color harmony.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Achieve the subtle browns and grays by mixing burnt umber, yellow ochre, and titanium white. Use small amounts of cadmium red and ultramarine blue to adjust the temperature of the browns.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the paint and losing the subtle gradations of color.
  • →Failing to accurately capture the reflective quality of the silver beaker.
  • →Ignoring the importance of value in creating form.
  • →Using colors that are too saturated and not muted enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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