apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Sailor (Self Portrait)
The Sailor (Self Portrait) by Vladimir Tatlin

plate no. 6254

The Sailor (Self Portrait)

Vladimir Tatlin, 1912

tempera, canvasCubismself-portraitportraitsailorfigurehatuniform
some experience helpful

Recreating this painting will help students understand how to simplify forms into geometric shapes and use bold brushstrokes to create texture and dimension. It also introduces the concept of using a limited color palette for expressive effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the sailor's head, hat, and body, focusing on geometric forms.

  2. step 02

    Block in the background with light gray and white, using broad brushstrokes.

  3. step 03

    Apply the base color for the skin (orange/yellow mix) in large, flat areas, following the sketched shapes.

  4. step 04

    Add shadows and highlights to the face using darker and lighter shades of the base color.

  5. step 05

    Paint the sailor's uniform with blues and grays, creating folds and details with visible brushstrokes.

  6. step 06

    Define the hat with black and add the inscription using yellow or gold.

  7. step 07

    Add the figures in the background with dark grays and blacks, keeping them simplified and abstract.

  8. step 08

    Refine the details and edges, adjusting values and colors as needed.

color palette

primary · yellow-orange · blue · black · gray

secondary · white · red-brown

Achieve the skin tone by mixing yellow, orange, and a touch of white. Create darker shades by adding burnt umber or a touch of black. Mix various shades of gray by combining black and white.

techniques

  • ·blocking in
  • ·geometric simplification
  • ·visible brushstrokes
  • ·limited palette
  • ·color mixing

common pitfalls

  • →Over-blending the colors, which will lose the bold, graphic effect.
  • →Getting the proportions wrong in the initial sketch.
  • →Using too many colors, which will muddy the palette.
  • →Not simplifying the forms enough, leading to a cluttered composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (yellow, orange, blue, black, white, burnt umber)
  • ·Assorted flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags or paper towels

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Varnish

Using a slightly textured canvas can enhance the visibility of the brushstrokes. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger