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home·artworks·The Sacrifice of Iphigenia
The Sacrifice of Iphigenia by Giovanni Battista Tiepolo

plate no. 2378

The Sacrifice of Iphigenia

Giovanni Battista Tiepolo, 1757

frescoRococomythological paintingfigurescolumnsarchitectureskymythologyclouds
experienced study

Recreating this painting will help students develop skills in rendering complex figures and architectural elements with accurate perspective and subtle color transitions. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements like columns and figures.

  2. step 02

    Block in the main shapes and forms using thin washes of color, focusing on the overall value structure.

  3. step 03

    Develop the architectural details, paying close attention to perspective and the play of light and shadow on the columns and ceiling.

  4. step 04

    Start building up the figures, working from general shapes to more refined details, and paying attention to anatomy and drapery.

  5. step 05

    Develop the background elements, such as the sky and clouds, using soft blending techniques.

  6. step 06

    Refine the details of the figures' faces and expressions, adding highlights and shadows to create depth and character.

  7. step 07

    Add final details and highlights to the architectural elements and figures to enhance the sense of realism and depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall color balance.

color palette

primary · titanium white · raw umber · ultramarine blue · burnt sienna

secondary · yellow ochre · cadmium red light · ivory black

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Create the sky by gradually blending blues and whites. Use glazes of burnt sienna and raw umber to create shadows and depth.

techniques

  • ·figure drawing
  • ·architectural perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Inaccurate perspective of architectural elements
  • →Overly saturated colors
  • →Muddy color mixing
  • →Lack of attention to detail in facial expressions

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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