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home·artworks·The Romance Makers
The Romance Makers by Charles M. Russell

plate no. 6751

The Romance Makers

Charles M. Russell, 1918

oilRomanticismgenre paintinghorsefigurelandscapemountainsskygrass
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures in a landscape. Students will also learn to create a sense of depth and distance through color and value variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, mountains, figures, and horses.

  2. step 02

    Block in the sky with broad strokes, establishing the gradient from blue to yellow/orange.

  3. step 03

    Establish the base colors for the mountains and distant landscape, paying attention to atmospheric perspective.

  4. step 04

    Roughly block in the foreground grass and bushes with varying shades of green and brown.

  5. step 05

    Begin refining the figures and horses, focusing on their shapes and proportions.

  6. step 06

    Add details to the figures' clothing and equipment, using smaller brushes.

  7. step 07

    Refine the highlights and shadows in the landscape and on the figures to create depth.

  8. step 08

    Add final details, such as individual blades of grass and subtle color variations in the sky.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix blues and whites for the sky, adding yellow ochre for the sunset glow. Use burnt umber and yellow ochre for the horses and landscape, adjusting with white for highlights and alizarin crimson for shadows.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Ignoring atmospheric perspective and creating a flat image
  • →Using too much pure color without mixing
  • →Incorrect proportions of the figures and horses

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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