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home·artworks·The Right Honourable Selina, Countess of Huntingdon (1707–1791), Foundress and Benefactress
The Right Honourable Selina, Countess of Huntingdon (1707–1791), Foundress and Benefactress by John Russell

plate no. 6161

The Right Honourable Selina, Countess of Huntingdon (1707–1791), Foundress and Benefactress

John Russell

oilRococoportraitportraitfigureclothingbookheadwearframe
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle gradations of tone to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, book, and frame.

  2. step 02

    Establish the background with a thin wash of muted browns and grays.

  3. step 03

    Block in the main areas of color for the skin, clothing, and book, focusing on accurate value relationships.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value that define the form.

  5. step 05

    Develop the details of the clothing, including the lace and folds, using a combination of layering and blending techniques.

  6. step 06

    Add highlights and shadows to create depth and dimension in the book and frame.

  7. step 07

    Refine the edges and details throughout the painting, ensuring a cohesive and harmonious composition.

  8. step 08

    Apply a final glaze to unify the colors and add a subtle sheen.

color palette

primary · titanium white · ivory black · raw umber · cadmium red

secondary · ultramarine blue · yellow ochre · burnt sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Muted blues and greens for the clothing can be created by mixing ultramarine blue with white, yellow ochre, and a touch of black.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details too early
  • →Inaccurate proportions of the face
  • →Muddying the colors by over-mixing
  • →Ignoring subtle value shifts
  • →Uneven skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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