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home·artworks·The Resurrection of Cuauhtemoc
The Resurrection of Cuauhtemoc by David Alfaro Siqueiros

plate no. 7461

The Resurrection of Cuauhtemoc

David Alfaro Siqueiros, 1950

pyroxylin, masoniteMuralismhistory paintingfigurearmorhorsebattlefirehistorical
experienced study

Recreating this painting will help students develop skills in depicting complex forms with dynamic lighting and understanding the use of color to convey drama and movement. It also provides practice in rendering textures like metal and flesh using expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, horse, and background elements.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of burnt umber.

  3. step 03

    Begin layering in the local colors of the figure's armor, the horse's body, and the surrounding flames.

  4. step 04

    Develop the details of the armor, paying attention to the reflections and highlights.

  5. step 05

    Refine the forms of the horse and the figure, using darker values to create depth and dimension.

  6. step 06

    Add the fiery background, blending the colors to create a sense of movement and energy.

  7. step 07

    Introduce secondary colors to enhance the overall color harmony and visual interest.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the metallic sheen of the armor by mixing white with small amounts of blue and umber. Create the fiery colors by blending reds, oranges, and yellows with touches of black and brown for depth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·expressive brushstrokes
  • ·color blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Losing the sense of movement and energy in the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on paint type)

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

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