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home·artworks·The Raising of Lazarus
The Raising of Lazarus by Otto van Veen

plate no. 0265

The Raising of Lazarus

Otto van Veen, 1608

oilMannerism (Late Renaissance)religious paintingfiguresreligious scenecrowdlandscapearchitecturemiracle
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in capturing complex emotions and interactions between multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on the central figures, refining their forms and adding details to their faces and clothing.

  4. step 04

    Gradually build up the layers of paint, paying attention to the light and shadow.

  5. step 05

    Develop the background elements, using softer edges and muted colors to create depth.

  6. step 06

    Refine the details of the drapery, capturing the folds and textures.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create shadows by adding blue or black to the base color. Use glazes of diluted color to build up depth and richness.

techniques

  • ·figure drawing
  • ·drapery study
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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