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home·artworks·The Prophet Zacharias and the Angel Gabriel
The Prophet Zacharias and the Angel Gabriel by Jan van Eyck

plate no. 1493

The Prophet Zacharias and the Angel Gabriel

Jan van Eyck, 1432

oil, panelNorthern Renaissancereligious paintingfigurebookscrollreligiousprophetangel
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, particularly fur and fabric, and understanding subtle value shifts to create form. The painting also requires careful attention to detail in depicting the text and architectural elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and composition, paying attention to the arched format.

  2. step 02

    Establish the background with dark, muted tones, gradually building up layers.

  3. step 03

    Block in the main shapes of the figure, book, and scrolls with base colors.

  4. step 04

    Start building up the values on the face and hands, focusing on the light and shadow.

  5. step 05

    Develop the textures of the fur hat and the fabric of the robe, using small brushstrokes and layering.

  6. step 06

    Carefully render the details of the book and scrolls, including the text and the edges of the pages.

  7. step 07

    Add highlights and details to the architectural elements to create depth and realism.

  8. step 08

    Refine the overall composition and make any necessary adjustments to the values and colors.

color palette

primary · raw umber · yellow ochre · ivory black · titanium white

secondary · burnt sienna · cadmium red light · viridian

Achieve the muted tones by mixing earth tones with black and white. Use glazes of burnt sienna and cadmium red to create warmth in the skin tones and fabric. Mix viridian with umber to create the green in the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·dammar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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