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home·artworks·The pretty little one
The pretty little one by Diogène Maillart

plate no. 1967

The pretty little one

Diogène Maillart, 1859

oil, canvasAcademicismportraitfigureportraitchilddressflowerstable
some experience helpful

This painting provides practice in rendering realistic skin tones and fabric folds, as well as creating a sense of depth through subtle value changes. Students can learn to blend colors smoothly and create soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Block in the local colors of the dress, skin, and background.

  4. step 04

    Refine the skin tones with subtle color variations and smooth blending.

  5. step 05

    Develop the folds and details of the dress, paying attention to light and shadow.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth.

  7. step 07

    Paint the flowers and table, using a variety of colors and textures.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · cadmium red · yellow ochre

Mix various shades of blue and white for the dress. Use burnt sienna and white for the skin tones, adding touches of red and yellow for warmth. Create the background with a mix of burnt sienna, red, and black.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of the figure.
  • →Ignoring the subtle color variations in the skin tones.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending.

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