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home·artworks·The Presentation of the Virgin Mary in the Temple of Jerusalem
The Presentation of the Virgin Mary in the Temple of Jerusalem by Hans Holbein the Elder

plate no. 2444

The Presentation of the Virgin Mary in the Temple of Jerusalem

Hans Holbein the Elder, 1493

oilInternational Gothicreligious paintingfiguresarchitecturereligious scenestairstempleclothing
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery representation, and creating a sense of depth through layering and subtle color variations. It also provides practice in depicting architectural details and rendering a soft, diffused light.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main color masses for each figure and the background, focusing on the overall value structure.

  3. step 03

    Refine the shapes and details of the figures, paying attention to the folds and drapery of their clothing.

  4. step 04

    Add details to the architectural elements, such as the stairs, railings, and buildings in the background.

  5. step 05

    Develop the subtle color variations within each area, using layering and glazing techniques.

  6. step 06

    Pay close attention to the light source and how it affects the forms, creating highlights and shadows.

  7. step 07

    Add final details, such as facial features, hands, and any small objects or accessories.

  8. step 08

    Glaze the entire painting with a thin layer of medium to unify the colors and create a soft, luminous effect.

color palette

primary · red ochre · yellow ochre · ivory black · titanium white

secondary · viridian green · ultramarine blue · burnt umber

Achieve the muted tones by mixing complementary colors and using white to create subtle value shifts. Glazes of transparent colors will help create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or bright.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations within each area.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·red ochre acrylic paint
  • ·yellow ochre acrylic paint
  • ·ivory black acrylic paint
  • ·titanium white acrylic paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. A smooth canvas surface will make it easier to achieve the subtle blends and glazes.

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