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home·artworks·Mary with the Sleeping Christ Child
Mary with the Sleeping Christ Child by Hans Holbein the Elder

plate no. 8351

Mary with the Sleeping Christ Child

Hans Holbein the Elder, 1520

oilNorthern Renaissancereligious paintingfiguresreligiousdraperyangelsarchitectureflowers
experienced study

Recreating this painting will develop skills in rendering realistic skin tones, drapery folds, and complex figure compositions. Students will also learn to create subtle gradations of color and value to achieve a sense of depth and form.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and compositional elements.

  2. step 02

    Block in the background with a thin layer of blue, paying attention to the subtle variations in tone.

  3. step 03

    Establish the basic shapes of the figures with light washes of color, focusing on accurate proportions.

  4. step 04

    Begin building up the skin tones of the figures using layers of thin glazes, paying close attention to highlights and shadows.

  5. step 05

    Develop the drapery folds using a combination of soft blending and sharp, defined edges.

  6. step 06

    Add details to the architectural elements, such as the columns and balustrade.

  7. step 07

    Paint the flowers and other decorative elements, paying attention to their delicate forms and colors.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · alizarin crimson · ultramarine blue · viridian green

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Darken values with raw umber and ivory black. Create the green drapery by mixing viridian green and ivory black, adding yellow ochre for warmer tones.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overly harsh or abrupt transitions between light and shadow.
  • →Muddy or dull skin tones.
  • →Lack of attention to detail in the drapery folds.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 0, 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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