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home·artworks·The Potato Patch, aka Garden Shinnecock
The Potato Patch, aka Garden Shinnecock by William Merritt Chase

plate no. 8213

The Potato Patch, aka Garden Shinnecock

William Merritt Chase, 1893

watercolorImpressionismlandscapefieldtreespathfigureplantssky
some experience helpful

Recreating this painting will help students practice loose brushwork and layering to create depth and texture. It also provides an opportunity to study atmospheric perspective and color mixing for natural light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the path and horizon line.

  2. step 02

    Establish the sky with a thin wash of diluted blue and gray.

  3. step 03

    Block in the main shapes of the trees and foliage with broad, loose strokes.

  4. step 04

    Add the path using a mix of browns and ochres, varying the tones to create depth.

  5. step 05

    Paint the figure with simplified shapes and colors, paying attention to the light source.

  6. step 06

    Layer in details for the plants and flowers, using small brushstrokes and varying colors.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and adjust the overall values to achieve a harmonious composition.

color palette

primary · raw umber · yellow ochre · sap green · titanium white

secondary · ultramarine blue · burnt sienna · cadmium yellow

Mix greens by combining yellow ochre and ultramarine blue. Achieve earthy tones by blending raw umber, burnt sienna, and white. Use white to lighten colors and create highlights.

techniques

  • ·wet-on-dry layering
  • ·dry brush texture
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Creating mud by overmixing colors
  • →Ignoring value relationships
  • →Failing to establish a clear focal point

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied textures.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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