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home·artworks·The Portrait of A.Rozanov
The Portrait of A.Rozanov by Olga Rozanova

plate no. 7153

The Portrait of A.Rozanov

Olga Rozanova, 1912

oilCubismportraitportraitfiguremanclothingcubismface
some experience helpful

Recreating this painting will help students understand how to simplify forms into geometric shapes and practice color blocking to define planes and create depth. It also offers practice in capturing likeness through simplified shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features, focusing on proportions.

  2. step 02

    Block in the background with a solid layer of blue paint.

  3. step 03

    Begin filling in the larger areas of the face, hair, and clothing with their base colors, using flat, distinct shapes.

  4. step 04

    Add darker tones to create shadows and define the planes of the face and clothing.

  5. step 05

    Introduce lighter tones to highlight areas and create dimension.

  6. step 06

    Refine the details of the facial features, such as the eyes, nose, and mouth, maintaining the simplified, geometric style.

  7. step 07

    Add details to the clothing, such as the collar and tie, using distinct color blocks.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, shapes, and values.

color palette

primary · cerulean blue · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Mix various shades of brown for the skin tones by combining burnt umber, yellow ochre, and titanium white. Create darker shades by adding a touch of ivory black. Vary the blue by adding white for lighter shades.

techniques

  • ·color blocking
  • ·geometric simplification
  • ·limited palette
  • ·dry brush texture
  • ·layering

common pitfalls

  • →Over-blending the colors, which will lose the distinct shapes.
  • →Straying too far from the simplified geometric style.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the value contrasts, resulting in a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·cerulean blue paint
  • ·burnt umber paint
  • ·titanium white paint
  • ·cadmium red paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Acrylic paints will dry faster, while oil paints offer more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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