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home·artworks·The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari and two sons Antonio and Pigello, Left Wing
The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari and two sons Antonio and Pigello, Left Wing by Hugo van der Goes

plate no. 0072

The Portinari Altarpiece, St. Thomas and St. Anthony the Hermit with Tommaso Portinari and two sons Antonio and Pigello, Left Wing

Hugo van der Goes, 1475

oil, panelNorthern Renaissancereligious paintingfiguresreligiouslandscapearchitectureportraitchildren
experienced study

Recreating this painting will help students develop skills in portraiture, drapery rendering, and creating atmospheric perspective in landscapes. It also provides practice in achieving realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and background elements.

  2. step 02

    Establish the basic color blocks for the figures' robes and the landscape.

  3. step 03

    Develop the background landscape, paying attention to atmospheric perspective.

  4. step 04

    Refine the figures' forms, focusing on accurate proportions and anatomy.

  5. step 05

    Add details to the drapery, creating folds and shadows to convey volume.

  6. step 06

    Work on the faces, capturing the individual features and expressions.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply final details, such as the halo, rosary, and textures.

color palette

primary · red · green · black · earth tones

secondary · gold · blue · white

Achieve the rich reds by mixing a crimson with a touch of brown. Create the greens by blending blues and yellows, adding a touch of brown for muted tones. The blacks are complex, requiring mixing of several dark hues.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or flat colors
  • →Lack of depth in the landscape
  • →Insufficient attention to detail in drapery
  • →Poorly rendered facial features

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, green, black, white, earth tones, blue, gold)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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