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home·artworks·The Portinari Altarpiece, St. Mary Magdalen and St. Margaret with Maria Baroncelli and Daughter Margherita Portinari, Right Wing
The Portinari Altarpiece, St. Mary Magdalen and St. Margaret with Maria Baroncelli and Daughter Margherita Portinari, Right Wing by Hugo van der Goes

plate no. 8446

The Portinari Altarpiece, St. Mary Magdalen and St. Margaret with Maria Baroncelli and Daughter Margherita Portinari, Right Wing

Hugo van der Goes, 1475

oil, panelNorthern Renaissancereligious paintingfigureslandscapetreesreligiousclothingsky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing fine details and textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background landscape, paying attention to the atmospheric perspective.

  3. step 03

    Roughly sketch the figures, focusing on proportions and poses.

  4. step 04

    Start layering in the base colors for the clothing, hair, and skin tones.

  5. step 05

    Add shadows and highlights to create volume and depth in the figures and drapery.

  6. step 06

    Refine the details of the faces, hands, and other important elements.

  7. step 07

    Add the fine details of the clothing patterns and textures.

  8. step 08

    Apply final glazes to unify the colors and enhance the overall effect.

color palette

primary · red · black · white · gold

secondary · green · brown · blue · yellow

Achieve the rich reds by layering crimson and scarlet. Mix blacks with umber and a touch of blue for depth. Use white with small amounts of yellow ochre and burnt sienna for skin tones.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·underpainting
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or muddy colors
  • →Lack of attention to detail in drapery
  • →Ignoring atmospheric perspective in the background

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, black, white, gold, green, brown, blue, yellow)
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Assorted brushes (small round, small flat, medium flat)
  • ·Palette
  • ·Palette knife
  • ·Easel

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Mahogany panel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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