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home·artworks·The Phases of the Night
The Phases of the Night by Max Ernst

plate no. 4754

The Phases of the Night

Max Ernst, 1946

oil, canvasSurrealismsymbolic paintinglandscapeskygeometric shapessurreal figuresvegetationsymbolic elements
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding how to balance abstract and representational elements in a composition. It also encourages exploration of symbolic representation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the large geometric shapes, and the placement of the 'moon'.

  2. step 02

    Block in the sky with a dark, muted tone, gradually lightening towards the horizon.

  3. step 03

    Establish the general color scheme of the landscape, using a mix of greens, browns, and yellows.

  4. step 04

    Begin adding details to the landscape, focusing on the texture and variation of the vegetation.

  5. step 05

    Paint the geometric shapes with flat, opaque colors, paying attention to their outlines and proportions.

  6. step 06

    Add the symbolic elements, such as the heart, mathematical symbols, and the details within the 'moon'.

  7. step 07

    Refine the details and adjust the values to create depth and dimension.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · dark blue · green · brown · yellow

secondary · red · light blue · white

Achieve the muted tones by mixing complementary colors. Use white to lighten colors and create highlights. The green is a mix of yellow and blue with touches of brown.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·flat color application

common pitfalls

  • →overworking the details
  • →creating too much contrast
  • →inaccurate proportions of the geometric shapes
  • →muddying the colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (dark blue, green, brown, yellow, red, light blue, white)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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