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home·artworks·The Penitence of Saint Jerome
The Penitence of Saint Jerome by Joachim Patinir

plate no. 7087

The Penitence of Saint Jerome

Joachim Patinir, 1518

oil, woodNorthern Renaissancereligious paintinglandscapefiguresmountainsriverarchitecturereligious scene
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, figure painting, and creating depth through layering and detail. It also provides practice in rendering realistic landscapes with varied textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Divide the canvas into three sections corresponding to the triptych panels.

  2. step 02

    Sketch the basic composition of each panel, focusing on the placement of figures and major landscape elements.

  3. step 03

    Establish the underpainting with thin washes of earth tones, defining the light and shadow areas.

  4. step 04

    Begin painting the background landscapes, starting with the sky and distant mountains, gradually working towards the foreground.

  5. step 05

    Paint the figures, paying attention to anatomy, drapery, and facial expressions.

  6. step 06

    Add details to the architecture, trees, and rocks, using small brushes and fine strokes.

  7. step 07

    Glaze the painting with thin layers of color to enhance the depth and luminosity.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · viridian green · ivory black

Use ultramarine blue and white for the sky, mixing in a touch of yellow ochre for warmer tones. Mix burnt umber, yellow ochre, and black for earth tones. Use glazes of cadmium red to add warmth to skin tones.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·landscape painting
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Inaccurate figure proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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