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home·artworks·The Passage
The Passage by Michael Sowa

plate no. 3819

The Passage

Michael Sowa

oilSurrealismmarinaseawavesskycloudsanimalstorm
some experience helpful

Recreating this painting will help students develop skills in blending colors to create atmospheric perspective and rendering realistic waves with highlights and shadows. It also offers practice in creating a focal point within a vast landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the animal.

  2. step 02

    Block in the sky with light blues and whites, blending to create a gradient from light to dark.

  3. step 03

    Establish the base color of the sea with dark blues and greens, varying the tones to suggest depth.

  4. step 04

    Begin layering in the waves, using short, choppy brushstrokes to create texture.

  5. step 05

    Add highlights to the crests of the waves using lighter blues, greens, and touches of white.

  6. step 06

    Paint the animal with a light color, paying attention to its form and the way it interacts with the waves.

  7. step 07

    Refine the details of the sky and sea, adding subtle variations in color and texture.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ultramarine blue · titanium white · payne's gray

secondary · viridian green · yellow ochre

Mix ultramarine blue and white for the sky, gradually adding more blue towards the horizon. Use payne's gray to darken the blues and create shadows in the clouds and waves. Mix viridian green with blue and yellow ochre for the sea.

techniques

  • ·wet-on-wet blending
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·glazing

common pitfalls

  • →Overworking the waves, resulting in a flat and lifeless appearance.
  • →Failing to create a sense of depth in the sea and sky.
  • →Making the animal too prominent, distracting from the overall composition.
  • →Not paying enough attention to the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·viridian green oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium can be added to the paints to improve flow and blending.

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oil painting for beginners →how to learn by studying the masters →
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