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home·artworks·The Paseo de las Delicias, in Madrid
The Paseo de las Delicias, in Madrid by Francisco Bayeu y Subias

plate no. 0564

The Paseo de las Delicias, in Madrid

Francisco Bayeu y Subias, 1785

oilRococogenre paintingtreesfiguresparklandscapeskyclothing
experienced study

Recreating this painting will help students develop skills in rendering figures in a landscape and understanding atmospheric perspective to create depth. It will also improve their ability to mix subtle color variations to depict light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees, figures, and horizon line.

  2. step 02

    Establish the sky with a thin wash of blue, fading towards the horizon.

  3. step 03

    Block in the large shapes of the trees with varying shades of green, paying attention to the light source.

  4. step 04

    Add the figures, starting with the larger, more prominent ones in the foreground.

  5. step 05

    Develop the details of the figures' clothing and faces, using small brushes and careful color mixing.

  6. step 06

    Refine the foliage of the trees, adding highlights and shadows to create depth and texture.

  7. step 07

    Paint the path and ground, using earth tones and subtle variations in color.

  8. step 08

    Add final details and highlights to the figures and landscape to create a sense of realism and depth.

color palette

primary · sap green · cerulean blue · raw umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Mix greens by combining blues and yellows with touches of brown or black to create natural variations. Achieve skin tones by mixing reds, yellows, and whites with small amounts of brown or blue for shadows.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·color mixing
  • ·glazing
  • ·rendering fabric

common pitfalls

  • →Overworking details too early
  • →Ignoring the light source
  • →Using colors straight from the tube without mixing
  • →Failing to create depth through atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·acrylic or oil paints
  • ·palette
  • ·linseed oil (if using oils)

optional

  • ·palette knife
  • ·easel
  • ·medium gloss
  • ·retarder medium

Using a toned canvas (e.g., light brown or gray) can help establish a base value and make it easier to judge colors.

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oil painting for beginners →how to learn by studying the masters →
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