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home·artworks·The party in which Karl Bodmer was traveling stopped to camp along the Missouri River in North Dakoon
The party in which Karl Bodmer was traveling stopped to camp along the Missouri River in North Dakoon by Karl Bodmer

plate no. 2912

The party in which Karl Bodmer was traveling stopped to camp along the Missouri River in North Dakoon

Karl Bodmer, 1833

aquatintRomanticismgenre paintingrivertreesfiguresboatlandscapeshore
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing rendering figures in a landscape setting. Students will also learn to create a sense of light and shadow using value contrast.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the river, the trees, the boat, and the figures.

  2. step 02

    Establish the horizon line and the basic composition of the landscape.

  3. step 03

    Block in the large areas of color, starting with the sky and the water, using thin washes.

  4. step 04

    Add the darker values to the trees and the shadows on the ground.

  5. step 05

    Begin to define the details of the boat and the figures, paying attention to their proportions and placement.

  6. step 06

    Layer in more details to the trees and foliage, using a variety of greens and browns.

  7. step 07

    Add highlights to the water and the foliage to create a sense of light and depth.

  8. step 08

    Refine the details and add final touches to the figures and the overall composition.

color palette

primary · burnt umber · yellow ochre · Prussian blue

secondary · raw sienna · titanium white · cadmium yellow

Mix burnt umber and Prussian blue for dark greens and browns. Use yellow ochre and titanium white for highlights. Add small amounts of cadmium yellow to brighten the greens.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small, medium, large)
  • ·flat brushes (medium)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the paint and create glazes.

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