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home·artworks·The Palace Escoriaza-Esquivel
The Palace Escoriaza-Esquivel by Carlos Saenz de Tejada

plate no. 6924

The Palace Escoriaza-Esquivel

Carlos Saenz de Tejada

oilArt Nouveau (Modern)cityscapebuildingfiguresgardencityscapeskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, figure drawing, and creating depth through atmospheric perspective. It also provides practice in capturing intricate details and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes of the palace, surrounding buildings, and garden layout.

  2. step 02

    Establish the horizon line and vanishing points to ensure accurate perspective.

  3. step 03

    Block in the basic colors of the sky, mountains, and buildings using thin washes.

  4. step 04

    Add details to the palace facade, paying attention to the architectural elements and shadows.

  5. step 05

    Paint the garden, focusing on the shapes of the bushes and the placement of figures.

  6. step 06

    Develop the figures in the foreground, adding details to their clothing and faces.

  7. step 07

    Refine the details throughout the painting, adjusting values and adding highlights.

  8. step 08

    Add final touches, such as the birds in the sky and subtle textures on the buildings.

color palette

primary · yellow ochre · raw umber · cerulean blue

secondary · burnt sienna · ivory black · cadmium red

Mix various shades of ochre and umber for the building's stone. Use cerulean blue with white for the sky, and add a touch of red for the sunset hues. Mix red and umber for the figures' clothing.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·figure drawing

common pitfalls

  • →Getting the perspective wrong, leading to a distorted image.
  • →Overworking the details too early, before establishing the overall composition.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring the subtle variations in value, making the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·mineral spirits

optional

  • ·medium gloss
  • ·retarder medium

Use a medium-grain canvas for better texture. Acrylics are recommended for faster drying time.

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oil painting for beginners →how to learn by studying the masters →
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