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The painter on the ground by Diogène Maillart

plate no. 5622

The painter on the ground

Diogène Maillart, 1890

oil, canvasAcademicismgenre paintingfigurestreelandscapefieldskyartist
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective. It also provides practice in capturing the texture of foliage and fields using varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, tree, and horizon line.

  2. step 02

    Establish the main color blocks for the sky, field, and tree canopy.

  3. step 03

    Begin adding details to the figures, paying attention to the folds in their clothing.

  4. step 04

    Develop the texture of the tree trunk and branches using varied brushstrokes.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Refine the details in the background landscape, using lighter tones to suggest distance.

  7. step 07

    Add final touches to the figures' faces and hands.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · raw sienna · cadmium yellow · alizarin crimson · viridian

Mix greens by combining ultramarine blue and cadmium yellow. Use yellow ochre and burnt umber to create earthy tones for the field and tree trunk. Add white to lighten values and create atmospheric perspective.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking details too early in the process
  • →Failing to establish a clear value structure
  • →Using colors that are too saturated
  • →Ignoring the effects of light and shadow

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, raw sienna)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

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