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home·artworks·The Painter and His Model
The Painter and His Model by Georges Braque

plate no. 1402

The Painter and His Model

Georges Braque, 1939

oil, canvasCubismgenre paintingfiguremodelartisteaselinteriorpainting
experienced study

Recreating this painting will help students understand simplification of form and how to create depth through overlapping shapes and contrasting values. It also encourages experimentation with pattern and texture within a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the basic shapes and composition, focusing on the placement of the figures and the easel.

  2. step 02

    Block in the large areas of color with simplified shapes, ignoring details at this stage.

  3. step 03

    Establish the dark and light areas to create contrast and define the forms.

  4. step 04

    Add patterns and textures to the background and clothing, using a variety of brushstrokes.

  5. step 05

    Refine the shapes and edges of the figures, paying attention to the interplay of light and shadow.

  6. step 06

    Develop the details of the painting on the easel, using small brushstrokes and a limited color palette.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · black · raw umber · yellow ochre · flesh tint

secondary · green · blue · white

Mix flesh tones by combining white, raw umber, and a touch of yellow ochre. Achieve darker values by mixing black with raw umber. Use white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·geometric abstraction

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Failing to establish a strong value contrast.
  • →Getting lost in the patterns and textures.
  • →Not simplifying the forms enough.
  • →Ignoring the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Acrylic paints will dry faster, while oil paints will allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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