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home·artworks·The Outing (detail)
The Outing (detail) by Michael Sowa

plate no. 6696

The Outing (detail)

Michael Sowa

oilSurrealismmarinawaterboatfigurebearwavessky
some experience helpful

Recreating this painting will help students develop skills in depicting water movement and creating atmospheric perspective with a limited color palette. It also encourages practice in rendering realistic figures and animals within a surreal context.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the boat's placement, and the main wave shapes.

  2. step 02

    Block in the sky with a dark blue-gray, creating a subtle gradient from top to bottom.

  3. step 03

    Establish the dark areas of the water using a mix of dark blues and browns, paying attention to the wave structure.

  4. step 04

    Add highlights to the waves using lighter blues and whites, focusing on areas where the light catches the water.

  5. step 05

    Paint the boat and figures, using a limited palette of blues, browns, and whites.

  6. step 06

    Refine the details of the waves, adding smaller splashes and foam.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers to unify the colors and create atmospheric effects.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · raw sienna · payne's gray

Achieve the various shades of blue by mixing ultramarine blue with white and small amounts of burnt umber or Payne's gray. Use raw sienna to warm up the browns and create variations in the bear's fur.

techniques

  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the waves, resulting in a cluttered appearance.
  • →Failing to create a sense of depth and distance in the water.
  • →Using too much white, making the painting look chalky.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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