apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The older sister
The older sister by Émile Munier

plate no. 6861

The older sister

Émile Munier

oilAcademicismgenre paintingfigurechildrenchickenstepsbowlfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and facial features, as well as understanding how to create depth through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of figures.

  2. step 02

    Establish the background with thin washes of color, paying attention to light and shadow.

  3. step 03

    Block in the main shapes of the figures, using simplified color values.

  4. step 04

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Refine the details of the faces, focusing on capturing the expressions.

  6. step 06

    Add details to the clothing and other elements, such as the bowl and chicken.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white, with small amounts of alizarin crimson for warmth. Use ultramarine blue and burnt umber to create dark shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of soft edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus