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home·artworks·The Nymph Callisto
The Nymph Callisto by Jean-Baptiste Greuze

plate no. 8736

The Nymph Callisto

Jean-Baptiste Greuze

oilRococomythological paintingfigureportraitnymphanimal printheadbandmythology
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and subtle gradations of light and shadow. It also provides practice in depicting textures, such as hair and fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background with a thin, even layer of a neutral gray-brown.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, using thin washes.

  4. step 04

    Begin building up the skin tones with layers of subtle color variations, paying attention to highlights and shadows.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Add details to the hair, creating texture and volume with small brushstrokes.

  7. step 07

    Paint the animal print, focusing on the shapes and patterns of the spots.

  8. step 08

    Refine the overall composition, adjusting values and adding final details.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium yellow

secondary · alizarin crimson · ivory black

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of alizarin crimson. Use varying amounts of white to create highlights and shadows. Mix black and raw umber for the darker areas of the animal print.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of subtle value changes in the skin.
  • →Getting the proportions of the face wrong.
  • →Making the animal print too uniform and lacking in variation.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·cadmium yellow oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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