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home·artworks·The Nibelungs. There goes another Legend
The Nibelungs. There goes another Legend by Michael Sowa

plate no. 4098

The Nibelungs. There goes another Legend

Michael Sowa

oilSurrealismmythological paintinglandscapedragonfigurecastlefoliagesmoke
some experience helpful

This painting offers practice in rendering atmospheric perspective and creating believable light effects, especially the glow of the dragon's fire. Students can also develop their skills in depicting complex textures like foliage and grass.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the dragon, figure, and castle.

  2. step 02

    Establish the background with a thin wash of muted blues and grays for the sky and distant landscape.

  3. step 03

    Block in the major shapes of the trees and foliage using darker greens and browns.

  4. step 04

    Add the figure and dragon, paying attention to their proportions and poses.

  5. step 05

    Begin layering in details, such as the texture of the grass and the architectural features of the castle.

  6. step 06

    Carefully render the light and shadow, emphasizing the glow of the dragon's fire and its effect on the surrounding environment.

  7. step 07

    Refine the details and add highlights to create depth and realism.

  8. step 08

    Add final touches and adjust values as needed to achieve a cohesive and atmospheric effect.

color palette

primary · viridian green · burnt umber · yellow ochre

secondary · ultramarine blue · cadmium yellow · titanium white

Achieve the muted greens by mixing viridian green with burnt umber and yellow ochre. Use ultramarine blue and white for the sky, and cadmium yellow for the dragon's fire.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of light and shadow on the overall composition.
  • →Using colors that are too saturated, resulting in a less realistic and atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)
  • ·palette knife

optional

  • ·painting medium
  • ·retarder medium
  • ·easel

Using a toned canvas (e.g., with a thin wash of burnt umber) can help establish the overall value structure and create a more unified effect.

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oil painting for beginners →how to learn by studying the masters →
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