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home·artworks·The Mouth kiss
The Mouth kiss by Pierre Jean Van der Ouderaa

plate no. 2954

The Mouth kiss

Pierre Jean Van der Ouderaa, 1879

oilAcademicismhistory paintingfiguresinteriorarchitectureceremonyhistoricalclothing
experienced study

Recreating this painting will help students develop skills in rendering complex figures in a dimly lit interior and understanding historical clothing and architectural details. Students will also improve their understanding of value and color relationships in a limited palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the background with broad strokes, focusing on the overall color and value.

  4. step 04

    Start working on the figures, beginning with the central couple and gradually adding the surrounding figures.

  5. step 05

    Pay close attention to the folds and drapery of the clothing, using subtle variations in value to create depth and dimension.

  6. step 06

    Add details to the architectural elements, such as the stained glass windows and the tiled floor.

  7. step 07

    Refine the details of the figures, including their facial features and expressions.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue

Achieve the muted tones by mixing ivory black and raw umber with varying amounts of titanium white. Use small amounts of burnt sienna, cadmium red light, and ultramarine blue to create subtle color variations in the clothing and architectural details.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Using colors that are too saturated, which will detract from the painting's overall mood.
  • →Failing to create a strong sense of depth and dimension.
  • →Not paying enough attention to the proportions and anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color palette.

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oil painting for beginners →how to learn by studying the masters →
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