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home·artworks·The Mother of Sisera Looked out a Window
The Mother of Sisera Looked out a Window by Albert Joseph Moore

plate no. 7658

The Mother of Sisera Looked out a Window

Albert Joseph Moore, 1861

oil, canvasAcademicismportraitfigureportraitwindowjewelrydresshair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones, as well as understanding subtle color variations and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, shoulders, window.

  2. step 02

    Block in the main areas of color: skin, hair, dress, background.

  3. step 03

    Start developing the skin tones, using thin layers and subtle blending.

  4. step 04

    Add details to the hair, paying attention to the direction of the strands.

  5. step 05

    Refine the features of the face, focusing on accurate proportions and subtle shading.

  6. step 06

    Paint the dress, capturing the folds and highlights.

  7. step 07

    Add the jewelry details, using small brushes and precise strokes.

  8. step 08

    Complete the background and window details, ensuring they recede into the distance.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre · viridian

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, adjusting the proportions for highlights and shadows. Use ivory black sparingly to deepen shadows. Mix viridian with yellow ochre to create the green for the jewelry.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·layering
  • ·color mixing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle color variations in the skin and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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