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home·artworks·The Mirror
The Mirror by Frank Dicksee

plate no. 5887

The Mirror

Frank Dicksee, 1896

oilRomanticismgenre paintingfigurewomanmirrordraperychairpeacock feathers
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and intricate patterns. It also provides practice in capturing subtle lighting effects and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figure and chair.

  2. step 02

    Establish the background with a loose wash of dark colors, suggesting the peacock feathers.

  3. step 03

    Block in the main shapes of the figure, focusing on accurate proportions and anatomical landmarks.

  4. step 04

    Begin layering skin tones, paying attention to subtle shifts in color and value.

  5. step 05

    Develop the drapery, using highlights and shadows to create a sense of volume and texture.

  6. step 06

    Paint the chair, capturing its intricate details and metallic sheen.

  7. step 07

    Add details to the mirror and jewelry, focusing on reflective surfaces.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black · gold

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Create the gold effect by layering yellow ochre with touches of metallic gold paint or by glazing with transparent yellows and browns.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly harsh or flat skin tones.
  • →Failure to capture the subtle nuances of light and shadow.
  • →Getting lost in the details and neglecting the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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