apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Miraculous Draught of Fishes (Peter's altar table)
The Miraculous Draught of Fishes (Peter's altar table) by Konrad Witz

plate no. 4944

The Miraculous Draught of Fishes (Peter's altar table)

Konrad Witz, 1444

wood, temperaNorthern Renaissancereligious paintingfigureslakeboatmountainsbuildingssky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in depicting figures in a landscape setting with attention to proportion and detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, boat, and landscape elements.

  2. step 02

    Establish the horizon line and the perspective of the lake and surrounding landscape.

  3. step 03

    Block in the main color areas: sky, mountains, water, and the figures' clothing.

  4. step 04

    Develop the details of the figures, paying attention to the folds of the clothing and facial features.

  5. step 05

    Add details to the boat and fishing nets.

  6. step 06

    Refine the landscape, adding details to the trees, buildings, and mountains.

  7. step 07

    Create the reflections in the water, using slightly darker and blurred versions of the objects above.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · red · green · brown · blue

secondary · yellow · white · ochre

Mix greens by blending blues and yellows with touches of brown. Achieve the red tones by mixing a base red with browns and whites for highlights and shadows.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth in the landscape.
  • →Overworking the details and losing the overall harmony of the painting.
  • →Not capturing the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small and medium)
  • ·flat brushes (small and medium)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·turpentine or odorless mineral spirits (for cleaning brushes)
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas to allow for detailed brushwork. Acrylics are more beginner-friendly, while oils offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley