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home·artworks·The Marshal de Belle Isle
The Marshal de Belle Isle by Maurice Quentin de La Tour

plate no. 5339

The Marshal de Belle Isle

Maurice Quentin de La Tour

pastel, canvasRococoportraitportraitfigureclothinglacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones. It also provides practice in rendering delicate details like lace and hair.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the background with a dark, muted tone.

  3. step 03

    Establish the basic skin tones, focusing on the light and shadow areas of the face and neck.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using fine brushes.

  6. step 06

    Paint the clothing, starting with the larger areas and gradually adding details like the lace and fur.

  7. step 07

    Refine the hair, paying attention to the highlights and shadows to create volume and texture.

  8. step 08

    Add final details and highlights to the entire painting to enhance the overall realism.

color palette

primary · titanium white · ivory black · yellow ochre · cadmium red light

secondary · ultramarine blue · burnt umber

Mix skin tones by blending white, yellow ochre, and a touch of red. Use ultramarine blue and white for the blue fabric. Create shadows with burnt umber and black.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Incorrect proportions of the face and body.
  • →Failing to capture the subtle variations in color and value.
  • →Getting lost in the details too early.
  • →Inaccurate rendering of the lace and fur textures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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