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home·artworks·The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien
The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Louise Elisabeth Vigee Le Brun

plate no. 2319

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Louise Elisabeth Vigee Le Brun, 1787

oil, canvasRococoportraitfiguresportraitlandscapeclothingchildrensky
experienced study

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering fabrics with subtle color variations. It also provides practice in creating atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background landscape and sky.

  3. step 03

    Establish the base tones for the skin, hair, and clothing of each figure.

  4. step 04

    Begin layering and blending colors to create form and volume in the faces and hands.

  5. step 05

    Develop the details of the clothing, paying attention to the folds, highlights, and shadows.

  6. step 06

    Refine the background details, adding depth and atmosphere to the landscape.

  7. step 07

    Add final highlights and details to the figures, such as the eyes, hair, and jewelry.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a soft, luminous effect.

color palette

primary · ultramarine blue · raw umber · titanium white · alizarin crimson

secondary · yellow ochre · ivory black · cadmium yellow light

Achieve skin tones by mixing white, alizarin crimson, yellow ochre, and a touch of raw umber. Create the blue dress with ultramarine blue and white, adding touches of alizarin crimson for depth. Mix greens for the landscape using yellow ochre, ultramarine blue, and ivory black.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh blending, resulting in a flat appearance
  • →Neglecting the subtle color variations in the skin tones
  • →Failing to create depth and atmosphere in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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