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home·artworks·The Man of Sorrows with the Virgin Mary and St. John the Evangelist
The Man of Sorrows with the Virgin Mary and St. John the Evangelist by Martin Schongauer

plate no. 4298

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer, 1475

oilNorthern Renaissancereligious paintingfigurereligiousangelsportraithalogothic arch
advanced study

Recreating this painting will help students develop skills in cross-hatching, rendering form with value, and understanding complex compositions with multiple figures. It also provides practice in depicting drapery and facial expressions.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, paying attention to the placement of the figures and the arch.

  2. step 02

    Refine the sketch, adding details to the faces, hands, and drapery.

  3. step 03

    Start adding the darkest values using cross-hatching, focusing on areas of shadow and form definition.

  4. step 04

    Gradually build up the mid-tones by adding more layers of cross-hatching, varying the density and direction of the lines.

  5. step 05

    Use lighter hatching to create highlights and subtle gradations in value.

  6. step 06

    Pay close attention to the details of the faces, hands, and drapery, adding fine lines to create texture and form.

  7. step 07

    Work on the background elements, such as the angels and clouds, using similar techniques.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and balanced composition.

color palette

primary · black · white

secondary ·

This is a monochrome artwork, so the focus is on creating a range of values using only black and white.

techniques

  • ·cross-hatching
  • ·stippling
  • ·line weight variation
  • ·rendering form with value

common pitfalls

  • →Rushing the initial sketch and not paying attention to proportions.
  • →Creating muddy or undefined values by overworking the cross-hatching.
  • →Ignoring the subtle gradations in value and creating a flat or lifeless image.
  • →Not paying attention to the details of the faces, hands, and drapery.

materials

surface · smooth drawing paper

required

  • ·Smooth paper
  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Ruler
  • ·Pencil sharpener
  • ·Blending stump or tortillon

optional

  • ·Tracing paper
  • ·Fixative spray

Use a variety of pencils to achieve a full range of values. Start with lighter pencils for the initial sketch and gradually move to darker pencils for the shadows.

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