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home·artworks·The Madrid canal bridge
The Madrid canal bridge by Francisco Bayeu y Subias

plate no. 6989

The Madrid canal bridge

Francisco Bayeu y Subias, 1784

oilRococogenre paintingfigureslandscapebridgetreeswatersky
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth through layering and tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition, including the bridge, figures, and landscape elements.

  2. step 02

    Block in the main areas of color, focusing on the sky, water, and large masses of trees and foliage.

  3. step 03

    Establish the basic values, paying attention to the light and shadow patterns across the scene.

  4. step 04

    Start refining the details of the bridge, including the wooden structure and the figures on top.

  5. step 05

    Begin adding details to the figures, focusing on their clothing and poses.

  6. step 06

    Develop the foliage and trees, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · cadmium red light · ivory black

Mix various shades of green by combining yellow ochre and Prussian blue with white. Use raw umber and white for the bridge and earth tones. Achieve the sky's soft hues by blending white with small amounts of blue and yellow.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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