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home·artworks·The Life of St. Ignatius Loyola. Plate 7. Pope Paul III approves the Society of Jesus 27th September 1540 Regimini Militantes.
The Life of St. Ignatius Loyola. Plate 7. Pope Paul III approves the Society of Jesus 27th September 1540 Regimini Militantes. by Carlos Saenz de Tejada

plate no. 7668

The Life of St. Ignatius Loyola. Plate 7. Pope Paul III approves the Society of Jesus 27th September 1540 Regimini Militantes.

Carlos Saenz de Tejada

oilArt Nouveau (Modern)history paintingfiguresinteriorarchitecturehistorical eventreligious figuresthrone
experienced study

Recreating this painting would help students develop skills in rendering complex scenes with multiple figures and understanding how to create depth and perspective in an interior space. It would also provide practice in capturing the nuances of light and shadow on drapery and architectural details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure of the painting.

  3. step 03

    Develop the background details, including the architectural features and figures in the distance.

  4. step 04

    Refine the figures in the foreground, paying attention to the details of their clothing and facial features.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Work on the details of the throne and other decorative elements.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and refine edges to complete the painting.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · yellow ochre · viridian · ivory black

Mix various shades of brown and gray by combining burnt sienna, raw umber, and titanium white. Use cadmium red to create the robes of the pope and other figures. Add viridian to create the green curtains.

techniques

  • ·glazing
  • ·underpainting
  • ·rendering drapery
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurately rendering the proportions of the figures.
  • →Not creating enough depth and atmosphere in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning to paint.

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