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home·artworks·The Life of St. Ignatius Loyola. Plate 2. Ignatius writes the Spiritual Exercises in the cave at Manresa.
The Life of St. Ignatius Loyola. Plate 2. Ignatius writes the Spiritual Exercises in the cave at Manresa. by Carlos Saenz de Tejada

plate no. 1978

The Life of St. Ignatius Loyola. Plate 2. Ignatius writes the Spiritual Exercises in the cave at Manresa.

Carlos Saenz de Tejada

oilArt Nouveau (Modern)history paintingcavefigurerocksangellandscapebirds
some experience helpful

This painting provides practice in rendering form with subtle value changes and creating atmospheric perspective. Students can learn to depict figures within a landscape setting and create a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the major rock formations.

  2. step 02

    Establish the light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the main colors of the rocks, figures, and sky using thin washes.

  4. step 04

    Gradually build up the values in the rocks, using layering and blending techniques to create a sense of depth and texture.

  5. step 05

    Refine the details of the figures, paying attention to the drapery and facial features.

  6. step 06

    Add the details of the surrounding landscape, including the trees and birds.

  7. step 07

    Glaze the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · gray · ochre · green

secondary · blue · brown · yellow

Mix grays by combining complementary colors (e.g., blue and orange, green and red). Use ochre and white for the figure's skin tones, and add small amounts of red or brown for shadows. Create atmospheric perspective by adding blue to distant elements.

techniques

  • ·value studies
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Odorless mineral spirits or water

optional

  • ·Retarder medium
  • ·Varnish
  • ·Easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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