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home·artworks·The Life of St. Ignatius Loyola. Plate 10. The Death of St. Ignatius 31st July 1556.
The Life of St. Ignatius Loyola. Plate 10. The Death of St. Ignatius 31st July 1556. by Carlos Saenz de Tejada

plate no. 2865

The Life of St. Ignatius Loyola. Plate 10. The Death of St. Ignatius 31st July 1556.

Carlos Saenz de Tejada

oilArt Nouveau (Modern)history paintinginteriorfiguresbedmonksdeathlight
some experience helpful

Recreating this painting will help students develop skills in depicting figures in various poses and understanding light and shadow within an interior space. It also provides practice in creating a sense of depth and atmosphere using subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions and placement.

  2. step 02

    Establish the overall composition and perspective of the room.

  3. step 03

    Block in the main color areas, starting with the background and larger shapes.

  4. step 04

    Begin to define the figures, paying attention to their clothing and facial features.

  5. step 05

    Develop the details of the bed, furniture, and other objects in the room.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and add any final touches.

  8. step 08

    Glaze to unify the colors and create a sense of atmosphere.

color palette

primary · gray · brown · white · blue-gray

secondary · red-brown · green · yellow

Mix grays by combining complementary colors like burnt umber and ultramarine blue with white. Achieve the subtle variations in the fabrics by adding small amounts of other colors to the base gray or brown.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth in the room.
  • →Overworking the details and losing the overall atmosphere.
  • →Not paying attention to the subtle color variations.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·palette knife

Use high-quality watercolor paints for best results. Consider using a limited palette to simplify the color mixing process.

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