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home·artworks·The Last Supper - from the Winged Altarpiece in St. Peter in Leuven
The Last Supper - from the Winged Altarpiece in St. Peter in Leuven by Dirk Bouts

plate no. 7778

The Last Supper - from the Winged Altarpiece in St. Peter in Leuven

Dirk Bouts, 1465

oilNorthern Renaissancereligious paintingfigurestablearchitectureinteriorreligious sceneLast Supper
experienced study

Recreating this painting would help students develop skills in rendering realistic figures, drapery, and architectural perspective. It also provides practice in creating a balanced composition with a large number of elements.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the overall composition and perspective of the room.

  2. step 02

    Block in the main shapes and forms of the figures and objects on the table.

  3. step 03

    Establish the basic color palette, focusing on the dominant reds, browns, and whites.

  4. step 04

    Begin layering colors to create depth and dimension in the figures and drapery.

  5. step 05

    Pay close attention to the lighting and shadows, using them to define the forms and create a sense of realism.

  6. step 06

    Add details to the faces and hands of the figures, focusing on capturing their individual expressions.

  7. step 07

    Refine the architectural details of the room, paying attention to the perspective and proportions.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · red ochre · ivory black · titanium white · raw umber

secondary · yellow ochre · ultramarine blue

Mix various shades of red by combining red ochre with ivory black and titanium white. Create subtle variations in the whites by adding small amounts of yellow ochre or raw umber.

techniques

  • ·glazing
  • ·underpainting
  • ·chiaroscuro
  • ·linear perspective
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Inaccurate perspective of the room
  • →Overly saturated colors
  • →Lack of attention to detail in the faces and hands

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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