apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Last Supper
The Last Supper by Maarten de Vos

plate no. 7611

The Last Supper

Maarten de Vos

oil, canvasNorthern Renaissancereligious paintingfigurestablearchitecturereligious sceneinteriorfood
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in mixing subtle color variations and understanding complex compositions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background, including the architecture and window view.

  3. step 03

    Roughly sketch the figures, focusing on proportions and gesture.

  4. step 04

    Start layering colors on the figures, paying attention to light and shadow to create volume.

  5. step 05

    Develop the drapery, using highlights and shadows to define folds and textures.

  6. step 06

    Add details to the faces, hands, and other focal points.

  7. step 07

    Refine the background details and add any remaining elements, such as the table setting and vessels.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · red · yellow · blue · white

secondary · green · brown · grey

Achieve the flesh tones by mixing various combinations of red, yellow, blue, and white. Use glazes of burnt umber and raw sienna to create depth and shadows in the drapery and background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the background
  • →Poorly defined drapery folds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, yellow, blue, white, green, brown, grey)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a mid-tone value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley