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home·artworks·The Last Supper
The Last Supper by Hans Holbein the Younger

plate no. 9358

The Last Supper

Hans Holbein the Younger, 1525

oil, woodNorthern Renaissancereligious paintingfigurestablearchitectureskyreligious scenefood
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in mixing realistic skin tones and capturing subtle facial expressions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background, including the sky and architectural elements.

  3. step 03

    Roughly define the table and the figures, focusing on proportions and basic forms.

  4. step 04

    Start adding details to the faces, paying attention to light and shadow to create depth.

  5. step 05

    Develop the drapery, using highlights and shadows to indicate folds and volume.

  6. step 06

    Refine the details of the table setting and food.

  7. step 07

    Add final touches to the background and architectural elements.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green · ivory black

Achieve skin tones by mixing yellow ochre, burnt umber, cadmium red, and titanium white. Use ultramarine blue and ivory black to create the dark blues of Jesus's robe. Mix viridian green with yellow ochre and white for the green drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, cadmium red, viridian green, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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