apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Last Supper
The Last Supper by Giovanni Battista Tiepolo

plate no. 5716

The Last Supper

Giovanni Battista Tiepolo, 1747

oil, canvasRococoreligious paintingfigurestablearchitecturecolumnsclothreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing subtle variations in light and shadow to model forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, table, and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background with thin washes of muted browns and grays, creating a sense of depth.

  3. step 03

    Block in the main color masses for the figures and drapery, focusing on the overall value structure.

  4. step 04

    Develop the individual figures, adding details to their faces, clothing, and gestures.

  5. step 05

    Refine the drapery folds, using highlights and shadows to create a sense of volume.

  6. step 06

    Add details to the table setting, including plates, food, and other objects.

  7. step 07

    Adjust the overall lighting and atmosphere, adding subtle highlights and shadows to create a sense of unity.

  8. step 08

    Add final details and glazes to enhance the colors and textures.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of blue or red. Use glazes of thinned colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West