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home·artworks·The last bed of The Little One
The last bed of The Little One by Amalia Lindegren

plate no. 9769

The last bed of The Little One

Amalia Lindegren, 1858

canvas, oilAcademicismgenre paintingfiguresinteriorfamilygriefchildfurniture
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and capturing emotional expression through pose and gesture. It will also provide practice in creating a sense of depth and atmosphere using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background and furniture, paying attention to the subtle variations in tone and texture.

  4. step 04

    Begin to refine the figures, focusing on accurate anatomy and expressive gestures.

  5. step 05

    Layer in details, such as clothing folds, facial features, and small objects.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to enhance the form and create visual interest.

  8. step 08

    Refine the details and add finishing touches.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Use burnt umber and ivory black to create a range of dark tones for the interior. Mix raw sienna and titanium white for the lighter areas. Add small amounts of cadmium red and ultramarine blue to create subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a convincing sense of depth.
  • →Not capturing the emotional expression of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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