apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Lamentation of Christ
The Lamentation of Christ by Otto van Veen

plate no. 9840

The Lamentation of Christ

Otto van Veen, 1599

oilMannerism (Late Renaissance)religious paintingfiguresreligious scenelandscapeskymourningChrist
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a somber mood through color and value. It also provides practice in complex composition and narrative storytelling.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and their poses, paying attention to proportions and perspective.

  2. step 02

    Establish the background landscape with broad strokes, focusing on the overall value structure.

  3. step 03

    Block in the main colors for each figure, starting with the underpainting and gradually building up layers.

  4. step 04

    Refine the details of the figures, including facial features, drapery folds, and anatomical accuracy.

  5. step 05

    Pay close attention to the lighting and shadows, using chiaroscuro to create depth and volume.

  6. step 06

    Mix and apply subtle color variations to create a sense of realism and atmosphere.

  7. step 07

    Add the details of the foreground elements, such as the tools and crown of thorns.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · crimson

secondary · ultramarine blue · yellow ochre · viridian green

Achieve flesh tones by mixing burnt umber, raw sienna, and titanium white, adding small amounts of crimson for warmth. Use ultramarine blue and burnt umber to create dark shadows and drapery folds. Mix yellow ochre and viridian green for the green garments.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·underpainting

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or saturated colors
  • →Lack of depth and volume
  • →Ignoring the subtle color variations
  • →Poor blending of tones

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (burnt umber, raw sienna, titanium white, crimson, ultramarine blue, yellow ochre, viridian green)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next. Work in a well-ventilated area.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti