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home·artworks·The Lake in the Bois de Boulogne
The Lake in the Bois de Boulogne by Felix Vallotton

plate no. 6014

The Lake in the Bois de Boulogne

Felix Vallotton, 1921

oil, canvasMagic Realismlandscapelaketreesautumnreflectionfoliagelandscape
some experience helpful

Recreating this painting will help students understand how to create depth using value and color temperature, as well as how to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main tree.

  2. step 02

    Block in the large areas of color: dark background trees, yellow foliage, and the water.

  3. step 03

    Refine the shapes of the trees and foliage, paying attention to the direction of the branches.

  4. step 04

    Add the reflections in the water, using slightly desaturated versions of the colors above.

  5. step 05

    Introduce subtle color variations within each area to create depth and interest.

  6. step 06

    Add details to the foliage using small, broken brushstrokes.

  7. step 07

    Adjust values to enhance the contrast between light and shadow.

  8. step 08

    Add final touches and highlights to the foliage and reflections.

color palette

primary · ultramarine blue · yellow ochre · cadmium yellow · burnt umber

secondary · viridian green · alizarin crimson

Mix dark greens by combining ultramarine blue and yellow ochre. Create the yellow foliage by mixing cadmium yellow with a touch of burnt umber. Achieve the water color by mixing ultramarine blue with alizarin crimson and white.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Making the reflections too perfect and symmetrical.
  • →Not creating enough contrast between the light and shadow areas.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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